Upcoming Events at Pivot Arts
Charged Spaces/Changing Bodies
October 11 – 14, 2018
Pivot Arts presents Charged Spaces/Changing Bodies
Performances in Historic Sites
Works by Anna Martine Whitehead
Carole McCurdy +
Co-Curated by Julieanne Ehre and Peter Taub
October 11, 12 and 13 at 7:30pm and October 14 at 4:00pm
The Institute for Cultural Affairs
4750 N. Sheridan Road +
1020 W. Lawrence Avenue
Suggested Donation $20
SPACE IS LIMITED. TO RESERVE IN ADVANCE CLICK HERE. Please note, there is no late seating…
Pivot Arts presents a series of site-specific performances in two historic Uptown buildings overlapping with Chicago Architecture Foundation’s Open House Chicago weekend. The performance begins at the Institute for Cultural Affairs 4750 N. Sheridan Road with Notes on Territory written, choreographed and performed by Anna Martine Whitehead. Audiences are then led across the street to Lawrence House 1020 W. Lawrence Avenue for Les Chanteuses du Rien created and performed by Sara Zalek, Elaine Lemieux, Hanna Brock — the piece will take place in the Lawrence House lobby and culminate in the swimming pool. Five Stud Stud by Carole McCurdy will take place in the Lawrence House’s gym space. All performance spaces are accessible by elevator, note that the experience includes travel from one building to the next.
Full descriptions plus artist bios below.
Notes on Territory
Written, Choreographed, and Performed by Anna Martine Whitehead
Damon Locks, Sound; Giau Truong, Lighting
Notes On Territory uses movement, sound, video, and text to address “containment architectures” (prisons, cathedrals, dungeons, and homes) and ask: What is the prison? What is the nature of freedom? The piece considers known architectural shapes and spiritual traditions such as crosses and arches in relation to the hole – a space which is only known by the wall that surrounds it – as a means of exploring the rich tradition of Black liberation practice.
Notes on Territory was developed in part during Pivot Arts’ Incubator Program and has had works-in-progress showings at: ACRE and Ragdale in 2017, Elevate Chicago Dance 2017, Velocity Dance Center in 2018, Whitman College Spring Studio Series 2018, Pivot Arts Festival 2018. Generous support has been provided by Chicago Dancemakers Forum; Headlands Center for the Arts; Daring Dances at the University of Michigan, Ann Arbor; and Pivot Arts.
Les Chanteuses du Rien
Created and performed by Sara Zalek, Elaine Lemieux, Hanna Brock
Les Chanteuses du Rien mashes up classical music, experimental opera, improvised sound and Butoh dance to explore the lobby and swimming pool space at Lawrence House. The performers are a trio of tricksters who desire to communicate intimately with an audience.
Sara Zalek, Elaine Lemieux and Hanna Brock have been making work together for two years in Chicago, including Chicago Cultural Center, Edgar Miller Legacy Studio, Silent Funny, Ragdale Foundation and the Hungry Brain. They have been supported by Chicago Dancemakers Forum, the Elizabeth F. Cheney Foundation, the City of Chicago, New England Foundation for the Arts, and the Ragdale Foundation.
Five Stud Stud
Created by Carole McCurdy and co-performed with Jon Poindexter
Five Stud Stud explores the spectrum between violence and tenderness. The performance is both intense and absurd, taking place in an installation of inflatable punching bags. Versions of this piece have been performed at Ragdale Foundation; Dogleach/Hume; Comfort Station; OuterSpace; and Defibrillator.
Charged Spaces/Changing Bodies is supported in part by the Alphawood Foundation, FLATSstudio, the Illinois Arts Council, the Institute for Cultural Affairs, and the MacArthur Funds for Art and Culture at the Richard H. Driehaus Foundation. Photos above from left to right: Notes on Territory by William Frederking; Five Stud Stud by Sam Chao; and Les Chanteuses du Rien by Rebecca Ciprus.
ABOUT THE ARTISTS
Anna Martine Whitehead is a transdisciplinary artist interested in the body as material, signal, archive. She’s been presented by Velocity Dance Center; Watts Towers Art Center; Yerba Buena Center for the Arts; and the Hemispheric Institute for Performance and Politics. Her work Notes On Territory was developed and then presented as a work-in-progress as part of the Pivot Arts Incubator program. She has contributed to projects by Onye Ozuzu, Jefferson Pinder, taisha paggett, Every house has a door, Keith Hennessy, BodyCartography Project, Julien Prévieux, and the Prison + Neighborhood Art Project. Martine has been published in Art21, C Magazine, Art Practical, frieze; contributed to Meanings and Makings of Queer Dance; and is the author of TREASURE | My Black Rupture. She is a 2018 Chicago Dancemakers Forum Lab Artist.
Carole McCurdy is a Chicago-based artist whose performance work addresses grief and anxiety, duty and resistance, and the absurd mysteries of embodiment. She received a 2016 Lab Artist award from the Chicago Dancemakers Forum and was a Fall 2016 Sponsored Artist at High Concept Laboratories. She created and directed an ensemble piece, Waver, with support from CDF, HCL, and 3Arts Chicago. Her practices include butoh and Argentine tango, and she has performed at spaces including the Chicago Cultural Center, Epiphany Dance, Links Hall, Hamlin Park, High Concept Laboratories, Defibrillator Gallery, and Movement Research (NY).
Les Chanteuses du Rien is created by a trio of trickster heroes: Sara Zalek (movement), Elaine Lemieux (voice), and Hanna Brock (instrumentalist) who use genres of classical scores, experimental opera, improvised sound, expanded cinema, and Butoh dance in their work. The trio seeks to surprise, disarm, and uplift the spirits of all who witness. They have performed throughout the past two years in Chicago venues, including Chicago Cultural Center, Edgar Miller Legacy Studio, Silent Funny, Ragdale Foundation and the Hungry Brain. Les Chanteuses du Rien is supported by Chicago Dancemakers Forum, the Elizabeth F. Cheney Foundation, the City of Chicago, New England Foundation for the Arts, and the Ragdale Foundation.